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PATTERNS AND PATHWAYS:
THE ARTISTRY OF CUI FEI
by Jerome Silbergeld


CUI FEI
by editors
ART IN AMERICA


GET TO KNOW: CUI FEI
by Art-in-Buildings

6

EIN FANTASIETEXT AUS
400 REBZWEIGLEIN
by Ev Manz

6

CUI FEI
by Christopher Calderhead

6 6

INTERVIEW WITH CUI FEI
by ACAW

6

NATURE AND CALLIGRAPHY
by Britta Erickson

6

CUI FEI
at The Warehouse Gallery,
Syracuse University

by Jonathan Goodman

 

TRACING THE ORIGIN
by Anja Chávez

6

TAKING ANOTHER LOOK
by Katherine Rushworth

6

CUI FEI
by Seo Jeong-Min

6

ARTIST OF THE MONTH:
CUI FEI
by Michèle Vicat

6

WAVE OF GRAIN
by John Haber

6

A LOOK AT CUI FEI
by Charlie Schultz

6

SEVEN ENIGMATIC
SCULPTURES
by Robert Ayers

6

REASON'S CLUE EXHIBIT
AT QMA
by Mike Wood

6

WHERE BRIEF WORKS
LEAVE LASTING
IMPRESSIONS
by Laurel Graeber

6

CUI FEI AT GALLERY 456
by Jonathan Goodman


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AN INTERVIEW WITH
ZHANG HONGTU
by Cui Fei

 

 

aia

 

CUI FEI

by editors

 

 

Cui Fei, Art in America

Cui Fei: Manuscript of Nature VII_III, 2012, thorns on paper, 15 1/4 by 12 1/8 inches. Courtesy Chambers Fine Art.

 

Artists like Gu Wenda and Xu Bing have made the mystifying use of false Chinese characters a metaphor for the power and limitations of human language. To this Cui Fei, who came to the U.S. in 1996 after graduating from the China Academy of Fine Art in Hangzhou, has added a direct link to the natural origins of writing and systematic thought. Her works resemble exquisitely printed or inscribed sheets of paper, but are in fact created with precisely positioned twigs, thorns, seeds and tendrils-or, sometimes, with a nod to industrialized life, photogram images or deftly twisted wire. Maybe Hanne Darboven could read them.

 

Link to the article

 

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